Friday, December 28, 2007

t.r.o.y.

It’s about that time again. Time for the annual year-in-retrospect obligatory blog post.

From last year’s wrap-up post:

2007 will be about renewal, acceptance, discovery, faith, and over-achievement. And, hopefully, let 2007 be about friends old and new, and stories familiar and unheard.

Oh! have there been stories. And beautiful people in and around my life.

When I wrote those words, I had no idea how difficult “renewal, acceptance, discovery, faith” would be. Not an iota of awareness. Damn, it’s been painful.

Winter was melancholic. Spring was cliché-ingly promising. Summer was (as predicted) serendipitous. And ever since Mercury got its act together and moved out of retrograde, autumn’s been good to me.

Rounding up the tail end of another year in the life of a Scorpio, and the question begging to be asked: What have you earned for yourself in '07? Perhaps better yet: Was it all it was cracked up to be? Was it enough?
www.astrobarry.com

I’ve earned the ability to work on myself with care and patience. 2007 was all it was cracked up to be and more. And it was definitely enough.

I’ve been on a creative tip for a minute now. Working on my own ish, collaborating with other people on projects that keep me up at night, overwhelmed with their potential (hence the lack of posting). I’m looking forward to 2008. I’m in a good mind space, I’m a lot more comfortable with myself and my capabilities. I feel lighter.


The universe is aligning itself in my favour. It told me so.

Keywords for 2008: community, creation, music, achievement, beauty, positivity

Wednesday, October 03, 2007

jewellery

your words
are strung together
like
cheap plastic beads
the ones young girls thread on to
that transparent plastic thread.

that snap
when you become too
tense.
brightly coloured spheres
scatter all over the place
like your meaningless phrases.

Wednesday, September 26, 2007

the wind moves the desert (alternate title: when i was crusoe)

Right before a haboob, the natural world is quiet. It's like Mother Nature powers down. There's no birdsong - in fact, there are no birds to be seen either. I don't know where they go at this time. Alley cats disappear and the roaming packs of dogs that have claimed the city are nowhere to be seen. The stray goats, which roam around Khartoum like they own the place and compete with dogs for the title of most self-entitled animal, vanish. Cattle stop mooing, sheep stop bleating, and the donkeys stop braying. It's bizarre.

There's no breeze either. But we know where the wind is. Somewhere in the desert, gathering its strength, summoning all draughts, blasts, eddies, gusts, and puffs to a predetermined meeting point.

As a result of nature's hiatus from the acoustic world, manmade sounds are intensified. Car horns are louder, sharper, and more indignant. People's voices carry, and domestic discussions, previously muffled by the wind, bounce off buildings and into neighbours' yards. This is the so-called calm before the storm.

When the haboob starts, you can see it from kilometres away. It looks like a big reddish-brown wall heading your way. During a haboob, it seems like the wind picks up the desert and brings it into the city for an unannounced, and definitely undesired, visit. There are no ways of differentiating between the city and the badlands, as the boundaries between them are erased. The wind unceremoniously dumps as much sand as it can carry all over the city, not unlike how pouty little boys on beaches dump contents of buckets all over antagonistic (and preferably unsuspecting) older sisters.

Once it's spotted though, you know you've got some time. Enough time at least to get indoors and seal all gaps between the in and out to stop the fine desert dust from slipping in. Everything will end up covered in red-brown desert sand - buildings are dusted over, roads are swallowed in the onslaught, and newly-formed dunes appear in the most awkward spots. Travel is impossible - the strength of the wind alone makes it difficult, the sand blinds, not to mention those sand dunes. Everyone remains indoors until the haboob's done - it's unwritten but perfectly understood. That's-just-the-way-things-are.

Once, before a haboob, in the chaos to get everything indoors - possessions, progeny, and pets - I was forgotten outside. Or I sneaked out to experience - I can't remember which, although now that I'm older and beyond reproach, I can admit this, and it seems the more likely scenario. I wanted to experience the haboob from inside it. I was eight years old, or round about there, and at the time, my family lived in a second floor flat with the hugest balcony I have ever seen.

The world was quiet, calm. Khartoum was still. Not a sound was made as everyone and everything waited indoors for the haboob to pass through.

Suddenly, all hell broke loose. It was like being in a reddish fog sent up by Hades as the sand swirled and stung. It blinded and irritated as it got into my eyes, my mouth, my lungs. I couldn't breath without feeling the graininess in my throat, and tears flowed down my cheeks covering my face with mud.

I held my t-shirt across my mouth so I could breathe easier, bowed my head a little to stop the wind whipping sand into my eyes, and I waited.

It could have been half an hour, or half a day. Occasionally, the haboob appeared to calm down. Like a fishwife exhausted from berating her husband for staying out too late, the wind lost steam and while the desert continued to fill the sky, the gusts weakened, and the dust started to settle. Like the pissed-off fishwife, the sandstorm caught its second, third, fourth winds. Each time it seemed the scolding was over, it would renew its intensity.

When the wind had weakened for what seemed like the last time, I was excited at surviving what in my mind was the worst storm of the century. I was tough, a hero, a survivor like Crusoe. I decided to set off on a solo mission and begin the inevitable clean-up, a task more daunting than Hercules' fifth.

You know how there's two types of impossible? The type that's impossible by name only, and then the type that's the real deal? Yeah, well, this was the real deal. Among the debris, I located a broom and I began sweeping. I swept and I swept and I swept. And I didn't accomplish anything. Every time I would manage to push a small pile of dust off the balcony, the not-dead-yet wind would cover the area with more sand.

This carried on until I was exhausted, and could sweep no longer. Covered in dust, my body drafting its letter of resignation in protest, and with a gloriously muddy face, I surrendered in recognition of what I should have known was too much to handle.

Two decades later, I still know the despair of crashing down from on top of the world, a feeling reinforced several times over (thanks, Life!). From feeling like Crusoe and Hercules, to experiencing defeat by grains of sand. Albeit billions of them. Now I'm older and wiser, but I still haven't internalised that lesson: whenever I sense that I'm about to squander my energies on a futile endeavour, something inside tells me I'd be better off hiding.

But I don't hear it though.

Wednesday, September 19, 2007

writing in blood → writing's in my blood

For the last little while, I’ve been trying not to write. Damn right I’ve been avoiding. Most of the time, I don’t write for fun or pleasure. It’s an incredibly painful process, and isolating – not in a good way, but in a plunging-into-the-abyss way.

I’ve been trying to deal with my writing process. I’ve fought it until I was physically and emotionally drained. Late nights at 3a.m., willing myself to not switch on my laptop. Trying not to rely on writing as a way of maintaining my sanity. And losing my grip on real as a result.

Because writing is how I deal. It’s the reason why I can chill with my demons. Because when I write about what plagues me, I’m confronting them, conversating, reasoning, pleading, or sometimes smashing them over the head with my sentences.

I’ve been lying about it too. When friends ask me how my writing’s going, I grin and say “great, just spent three hours at the computer”, when in all reality, I spent three hours glaring at my laptop, incapacitated, refusing to write, but unable to do anything else.

It’s been interesting. It’s taught me a lot about what writing means to me, and why I need to write. I even wished I couldn’t, calling it a curse.

I’m still not at the point where I can embrace my skill as a talent, but I’m no longer dealing with it as my cross to bear. Got enough of those.

I’ve been exploring my past, tracing what defines me, trying to figure out why writing should be included in my definition of self. And I’ve discovered that I can’t avoid it, it doesn’t do me any good. It took ______’s words (insert any name from my maternal lineage) to remind me.

It’s in my genes. And I gave up (consciously) fighting those a long time ago. And so I surrender.

Sunday, August 05, 2007

mad things rearrange

It's been a minute since my last post.

Back in March, I proclaimed the summer of serendipity. And I was right. There's so much to say, so much has happened. I've come through a lot.

I've learned that friendships come and go. That life is both incredibly ugly and overwhelmingly beautiful. That love is underrated. That letting go has to happen in order to seize the day. That space is important, and peace of mind more so. I've learned that coincidences aren't.

There have been dark times this summer. I've been retreating into places I never wanted to see. But this time, I'm remembering to cross over to the sunny side of the street. And I'm feeling good.

Seasons change.

Sunday, May 13, 2007

i've lost (or found) my elephant

Have you ever had a paragraph seize you by the throat, put you in a chokehold, and slam you up against a wall? Have you ever read anything that shoved you emotionally, into the path of an oncoming train, and woke you up with its impact? Have words ever attacked your sanctuary, forced your eyes open, and made you see?

Thank you, Mr. Haruki Murakami (and Mr. Alfred Birnbaum). I hate your directness, your manipulation of language. I resent your disruption, this intrusion. Don't worry though - I'm sure this won't last too long, as I have too much to be grateful to you for.

But life was just peachy yesterday.

Wednesday, March 28, 2007

pigeons and ice cream

One of my favourite movies is Ghost Dog: The Way of the Samurai. The story line appeals to me - it's a gritty urban story about a modern-day samurai (Forest Whitaker) and how he lives by his ideals. As a hip hop fan, this movie's a must-see because it was the RZA's first film score; he also has a cameo in it. As if that wasn't enough, there's also a cameo by Gary Farmer.

But those aren't the only reasons I enjoy this film (which is my currently third most watched movie of all time, after Pulp Fiction and Monty Python and the Holy Grail). The movie has one of my all-time favourite relationship depictions: the main character's best friend is a Haitian ice cream man. Although the Haitian doesn't speak English, and Ghost Dog doesn't speak French, their relationship is so easy and comfortable; I aspire toward that level of comfort in my friendships. There's also Ghost Dog's friendship with a precocious little girl. What struck me about this relationship was how he passed on his knowledge to her; there's one scene in the film which (for me) distilled the vital and unconscious passing on of wisdom from one generation to the next.

I obsess over things I like. I read about them, I talk about them, I research them, and I find out everything I can about the person/film/book/event/place/etc. I've just been going through a phase where I've been obsessing (again) about Ghost Dog, and it's reached a point where, given half a chance, I would call up the people responsible for this film being created, just to talk to them about it. Not so I can write about it, but just to get some more information about this movie I like so much, because I want to know. I don't even know what I would ask about, I just want to know as much as possible.

Recently, while reading some more about Ghost Dog, I came across a passage on reverse shot which prompted me to write this post. Jeanette Catsoulis wrote an article about the film's writer/director, Jim Jarmusch:

"What interests him is cultural collision, the racial friction and cross-pollination that reaches beyond black and white to the roots of a culture where everyone seems to espouse a hyphenate identity (so much so that the hyphen itself has mostly disappeared)."

That's what interests me too.

In Ghost Dog, characters seem to travel across racial boundaries, yet retain a very strong sense of racial identity. The character Ghost Dog carries himself as a Black man, and the only times you sense his capacity for warmth in the movie is when he's dealing with other black people - his Haitian friend, the young girl, the brothers on the street. But yet, he lives by the code of Japanese warriors, and his conviction in his path is inspiring and infuriating. To add to the racial incongruence, Ghost Dog has pledged allegiance as a samurai to a member of the mob, a white man who once saved his life.

The mob carry the hot-tempered mentality of an eye-for-an-eye, but as a group of aging Italians, they've lost steam. But one of them's a hip hop fan, and starts spitting rhymes during a meeting, and naming off rappers (including PE's Flavor Flav).

The Haitian ice cream man, with his beautiful and infectious smile, and complete lack of English, embodies an optimistic and romantic view of immigrants in North America. What struck me about his character in terms of race and culture, was the fact that I didn't find it unusual that someone could survive in a city without speaking the language.

That sort of thing doesn't strike me as strange - or it didn't until I was trying to order a meal in Little Portugal. The lady working at the restaurant spoke no English, and I speak no Portuguese. Using my limited Spanish, I managed to order the best halibut meal I had ever had in a restaurant. Didn't even think about it as an issue. Until something someone said, and I realised that the global existence I had taken for granted could be seen as a threat, in the same way I find attitudes resistant to it threatening.

I digress.

Back to Jarmusch. I also enjoyed Coffee and Cigarettes. And not only because Iggy Pop was in it. You should watch it.

Thursday, March 01, 2007

a change'll do me

"Change."

It was a flat statement. Pronounced by a beggar right at the moment when he realised that he should be begging. There was no inflection, no rising of pitch. It wasn't the typical pleading "Change?", but a simple fact of the current moment. "Change."

I continued past him, in that rush-hour city stride. Head bent down, moving a little bit faster than usual. Walking with purpose and destination, using the slipstream of the people walking in front of me and past me to move just that little bit faster.

I kept hearing that word in my head. Change. Change. Change. Simply at first, then with more assertion. Change. CHAnge. CHANGE. From a statement of fact to a barked order. Until my mind was filled with a ticker show of bolded capital letters.

CHANGE!

I'd had thoughts of transition in my head, but change was more apt. Transition implies an easing into a new situation, a gentle change of events. I've never been a gentle person, more like a biting sandstorm than a breeze. And like a sandstorm, leaving behind evidence of my presence scattered everywhere, until others cleaned up. So change, with its brusqueness and abruptness was definitely a better word.

A change'll do me good.

Monday, February 19, 2007

the price of freedom

I walked past a bus shelter yesterday. One pane of glass had been broken, leaving behind sharp jagged edges. Shattered glass was sprinkled on the pavement like hundreds and thousands. The unharmed glass next to the shattered pane had a piece of yellow A4 paper that announced "Quick Divorces $300".

$300 sounds like a small price to pay for freedom. A small price to pay to close off a chapter of your life. Complete it with a full stop. Rather than ease out of it with commas and semicolons.

Today, the broken pane had been cleaned up, the sharp edges cleared, and a yellow caution tape was fluttering in their place. The notice for quick divorces was gone too. Broken glass and broken promises, removed by municipal employees.

Tuesday, February 13, 2007

photographs of dead friends

“Who’s this?”

That’s Simon. Took his mother’s sedatives
And then
Slit his wrists.
His mother was on the wrong side of a locked door
And as he bled to death
She called the police who came
Too late to save him because
They lived in the wrong part of town.

“What about him?”

Him? Greg hung himself
In the basement apartment that he lived in.
One week later
Someone set fire to the house
While his neighbours slept upstairs.
They lost everything but
Kept their lives.

“He looks happy.”

They all look happy in these pictures.
But Rodrigo didn’t kill himself.
He was an international rudeboy.
Had kids on two continents to prove it.
Someone stabbed him for revenge.
He also bled to death before the cops got there.

"What's her story?"

Brooklyn was a performer
But she didn't want the fame
Or anything that came with it.
Her friends found her when
She didn't answer her phone.
She used a rope.

In memory.

Tuesday, January 02, 2007

the year that was

I've been referring to 2006 as my little exercise in mediocrity.

I'm proud of my achievements of the past year - I've edited a magazine, received a grant, and managed to (finally) get back to London. I received my first piece of fan mail. I've started a blog (albeit not kept it up so much), and met new people. But I was functioning at about 45%. No more of that.

I've also been broke, lost a friend and a car, experienced ennui in its most depressing form, and been stressed out beyond belief. But I wouldn't exchange last year for anything.

2006 was about coffee and conversations. Holding on and letting go. It was about reading in Arabic, writing in Spanish, and WD-40ing my French. It was about meeting new people, and reconnecting with old friends. It was about wanderlust precipitated by hearing stories from Bangkok, Cambodia, Geneva, Los Angeles, Chicago, Vancouver, Saskatoon, Khartoum, Muscat, NYC, Chile, Singapore, and Capetown. It featured Zen and Jainism, hip hop and opera (and a dose of hip hopera), stuffed red peppers, and French perfume houses.

2007 will be about renewal, acceptance, discovery, faith, and over-achievement. And, hopefully, let 2007 be about friends old and new, and stories familiar and unheard.